Occupied office renovation with staged remediation

With Pentillion Construction, I helped deliver a two-floor renovation for a high-value professional office client while the space remained in use. The work included removing and adding walls, replacing flooring, painting and finish upgrades, a new kitchenette, a new reception area, custom feature walls, blind replacement, HVAC reconfiguration, and new data wiring.

Renovating around an office that still had to function

The project became more complex once the flooring scope exposed asbestos-containing tile below the existing finish. Because the office remained active during construction, the remediation and renovation work could not be handled as one clean shutdown.

We brought in a professional remediation contractor and broke the work into multiple stages so the tenant could keep operating while offices were shuffled around the floor.

Coordinating design decisions, trades, and tenant moves

My role was a mix of coordination, design support, and hands-on field work. I coordinated between the tenant, landlord, architect, remediation contractor, and trades while also helping the tenant work through design details and practical decisions.

The work had to keep moving without losing sight of how the space was being used day to day. Walls, flooring, abatement, painting, lighting, blinds, HVAC, data, and millwork all had to be coordinated around people who still needed to use the space.

Making the reception finish hold up under real lighting

One of the more detailed parts of the project was the new reception area. The client had a specific look they wanted for the feature walls, and the wall-wash lighting made the finish quality especially important.

Any waves, seams, or surface defects would have been highlighted by the lighting, so the wall needed a high-quality, Level 5-style drywall finish along with careful custom carpentry and detailing. I helped work through how to make that design intent buildable, coordinate the finish requirements, and bring the reception area together with the level of finish the client expected.

A clean finish

The difficulty came from the setting, not one dramatic detail. Everything had to happen in a real occupied workplace, in stages, with people still needing the office to function.

The result was a completed two-floor renovation delivered through staged work in an occupied environment. It shows the practical side of tenant-improvement coordination: communicate clearly, respect the people using the space, make finish details buildable, and keep adapting when field conditions change the plan.

HVAC controls retrofit and system troubleshooting

With Pentillion Construction, I helped audit, explain, and coordinate upgrades to an older HVAC control system. The building had existing controls and hardware that could not simply be replaced all at once, so the project needed a clear understanding of what was already there before the new work could be planned.

Understanding the old system before replacing parts of it

My role was to bridge the gap between the existing controls, the HVAC contractor, the controls contractor, and the practical needs of the building. I reviewed and documented how the system operated, helped explain the existing logic, and supported the retrofit so new equipment could be integrated without losing compatibility with parts of the older setup.

The upgrade included four new heat pumps. Because I had built much of the internal understanding of the existing controls, I became a practical reference point during the work. The value knowing what equipment was present and helping the contractors understand how the old controls, operating logic, and building requirements fit together.

Troubleshooting the shaking air handlers

That same system knowledge carried into troubleshooting. The building had two large air handlers that were shaking under certain operating conditions, and the cause had not been identified.

One proposed path was to bring in an engineering audit to measure resonant frequencies using specialized equipment. That may have been needed eventually, but before jumping to that step, I worked through a more direct inspection of the system.

Looking for the real field condition

I checked likely mechanical causes, including whether the air-handler shafts appeared to be off balance, the dampening system, and used a 360 camera and thermal imaging camera to inspect areas that were difficult to access directly.

That investigation pointed toward a loose sheet-metal wall dividing the large duct that supplied hot and cold air to the building. Under certain airflow and pressure conditions, the loose partition deflected until it relieved the pressure differential, then snapped back, allowing the pressure to rebuild and repeat the cycle. This created a low-frequency pulsation that transmitted vibration into the air-handler area and surrounding building structure.

A logical conclusion

I documented the old controls, identified what still had to work, coordinated the contractors around the real operating logic, and investigated the field condition before assuming the next step had to be expensive or abstract.

The result was a building system that became easier to explain, upgrade, maintain, and hand off.

Automated event photo upload and print station

This project supported The Big DV public installation by making one of the interactive pieces easier for guests and volunteers to use. The installation invited people to contribute photos and design responses to a public wall, so the workflow needed to move images from a guest’s phone to a volunteer-operated photo printer without creating a messy manual process during the event.

Keeping the public interaction simple

The visible workflow had to be simple: scan a QR code, upload a photo, and let the volunteers print it. I did not want guests handing over phones, emailing files, or relying on a volunteer to troubleshoot every submission. That meant the technical side could be more complicated, but the public side could not be. The system needed to feel like a normal event interaction, not a tech demo.

Making the hidden workflow do the work

I connected a Dropbox File Request, Dropbox webhook, Cloudflare Worker, Join, Tasker, Autosync, and a Samsung Tab A9+ into one operating workflow. Uploaded images triggered the automation chain, the tablet was notified that new files were available, and Autosync moved them into a local folder the SELPHY printing app could read. For volunteers, the result was straightforward. Open the printing app, find the submitted photos, and print. They did not need to download files, search folders, move images around, or understand the automation chain behind it.

Designing for a live event

The setup also had to survive the realities of a public event. I configured the tablet more like a kiosk than a personal device, with separate accounts, minimal installed apps, public-use restrictions, and no unnecessary personal data exposed. I also built in fallback sync behaviour and failure alerts so the workflow was not dependent on someone noticing a problem at the exact moment it happened. Theft and recovery risk, account separation, volunteer handoff, and privacy exposure were all part of the design.

The final snapshot

I recognized the friction in a live public interaction and connected available tools into a workflow people could use without thinking about it. The system reduced volunteer handling, protected guest privacy better than an improvised process, and made the interactive part of the installation feel simple from the outside

Music Made Visible: Partner Dance in Victoria

I help support a small Brazilian Zouk-rooted partner dance community in Victoria by creating spaces where people can practise, ask questions, make mistakes, and keep coming back.

This is not a formal dance business, and I do not present myself as the authority on Brazilian Zouk in Victoria. I am one person helping a community grow by organizing practice opportunities, sharing what I have learned, and helping people feel more connected to the music, their movement, and each other.

A practice space people actually want to return to

The work is practical as much as it is personal. I help organize practice sessions, support community events, share music, explain movement concepts, and help newer dancers feel less intimidated.

A small dance community only works if people feel welcome enough to participate. That means the tone of the space matters. People need room to experiment, get things wrong, laugh, try again, and gradually build confidence.

Translating movement into language

My role is often informal teaching and facilitation. I help break down movement ideas, explain what I am feeling in a lead or follow, and translate embodied concepts into language that people can use.

Partner dance can be technically complex, but the goal is not to overwhelm people with terminology. The goal is to give people enough understanding that the movement starts to make sense in their own body.

Why I call it Zouk-rooted

I describe this as Zouk-rooted partner dance because Brazilian Zouk shaped my foundation, while the music and movement I connect with often reach beyond one strict traditional container.

I try to be careful with that distinction. I am not claiming to represent Brazilian culture or formalize the dance for everyone else. I am sharing the parts I have learned, the music I connect with, and the kind of practice space I think helps people grow.

Music made visible

For me, partner dance is a conversation between the music, my body, and another person. At first, it can look like one person leading and the other following. The more I learned, the more I understood it as both people following the music together. One person may suggest the movement more often, but both people are listening, interpreting, adapting, and expressing in their own way.

That is where the phrase “music made visible” comes from. A good dance is not just a sequence of steps. It expresses through timing, tone, space, weight, softness, contrast, and response. It turns something heard into something seen and felt.

A multi-step process

This project is personal, but it says something real about how I communicate and build community. I like dancing with my wife. I like sharing something meaningful with other people. I like seeing a group become friends as well as dancers.

It also shows a useful capability: taking something complex, embodied, and hard to explain, then making it accessible enough that more people can join in. It is another form of facilitation, translation, and sensemaking.

Majestic Pines approval-readiness support

Majestic Pines was a proposed rural recreational development north of Campbell River, BC. The project began as an 11-lot bare-land-strata concept and later evolved toward a 10-lot bare-land-strata with a fee-simple remainder for future development.

I was contracted by the developer to support the project manager with regulatory research, approval-pathway planning, and coordination around unresolved Ministry of Transportation and Infrastructure, Strathcona Regional District, Island Health, water, septic, access, and strata questions.

Making the approval path easier to see

The project involved overlapping requirements from transportation, the regional district, the health authority, survey/legal work, well testing, road access, and future development planning. My role was to help turn those requirements into a clearer decision path before the project returned for formal review.

Organizing the working knowledge

I reviewed the preliminary layout review requirements, organized research and source material in Confluence, and helped prepare focused questions for agency and legal discussions.

The Confluence workspace became a working knowledge base for notes, embedded documents, regulatory sources, cross-linked questions, and evolving interpretations as the development strategy changed.

Challenging assumptions before they became costs

A key part of my contribution was challenging assumptions before the project committed to unnecessary work. For example, the water requirements allowed representative well documentation within a defined radius where the source could reasonably be shown to be the same.

Since existing drilled wells were located within range of the proposed first-stage lots, I identified that they may be usable as proof of water instead of assuming new wells had to be drilled for every second lot.

Flagging future-development risks early

I also helped flag approval risks around the proposed fee-simple remainder. Those questions included whether future access could be provided through a private strata road by easement, how parkland dedication might be affected by staged development, and whether conventional frontage requirements applied cleanly to strata lots fronting an internal strata road.

In addition to the research and coordination work, I attended site visits and participated in dug-well pump testing. That helped connect the regulatory questions back to actual site conditions, including water availability, access constraints, and the practical implications of the approval requirements.

The forest for the trees

The result was a clearer approval-readiness path. The project manager had better-organized source material, clearer questions for agency and legal discussions, and a more focused view of the assumptions that could affect cost, sequencing, access, and future subdivision strategy.

The work shows a different side of my project experience: organizing complicated requirements, identifying assumptions before they became expensive, connecting field information to regulatory questions, and helping a high-value development proposal move toward review with fewer unresolved unknowns.

Bespoke farm wedding venue

For our wedding, my wife and I transformed an overgrown working farm into a full private venue for 240 guests. The site had never been used as a venue of that scale before. It was primarily set up for cows and goats, with rough ground, overgrown vegetation, limited infrastructure, and no ready-made event layout.

Planning began roughly a year and a half before the wedding, with much of the physical site preparation completed on weekends in the months leading up to the event while living several hours away. The goal was to build an unconventional and inspiring wedding venue; something personal, functional, memorable, and resourceful. We wanted a place where people could gather, celebrate, camp, dance, eat, and experience something that felt like us.

My role combined lead planning, site coordination, logistics, layout design, vendor coordination, hands-on building, and day-of problem solving. Many people stepped up to help with site prep, flowers, food, service, setup, teardown, parking, and coordination, but I was responsible for turning the overall idea into a workable plan and making sure the major pieces came together.

Turning a working farm into a venue

The site needed to support a ceremony, reception, camping, parking, washrooms, photo areas, food service, live music, gathering space, and guest flow. I designed the layout around how people would arrive, move through the site, find the main areas, and safely use a space that was not designed as a venue.

Preparing the site meant removing rocks and windfall, filling holes, levelling ground, cutting back vegetation, creating paths, preparing camping areas, and planting and watering grass in levelled areas before the event. The work was practical and physical, but it was also about imagining how the site would feel once hundreds of people were using it.

The 100′ x 40′ tent became the centre of the reception, with space for tables, head table, food service, bar, band, dance floor, lighting, and gathering. I created a site plan that could be shared with guests and volunteers so everyone understood how the event should flow.

Temporary infrastructure

Because the farm didn’t have venue infrastructure, several systems had to be built temporarily. Washrooms, handwashing, water, power, lighting, audio, parking, and camping all had to work for one day without becoming fragile or confusing.

Water was one of the more difficult infrastructure problems. I built temporary sink stations, with water supplied roughly 250 feet using fire hoses connected to domestic water. The hoses also provided an additional fire-readiness measure, which mattered because the wedding was held in mid-August and the surrounding area was dry.

I handled power with two generators and an EV with an inverter. The layout had to support lighting, PA equipment, the band, and other event needs while avoiding overloads and reducing trip hazards. I placed the band on its own generator, so the most critical load was isolated.

I built guest safety into the layout through cord routing, lighting, paths, parking control, and keeping higher-traffic areas away from rougher parts of the farm. Weather and fire risk were also part of the planning, with umbrellas, extra tents, and site-wetting leading up to the event as practical backups.

Building the dance floor

I designed and built a 20′ x 32′ dance floor using pallets and recovered forming plywood. The ground had to be levelled, uneven areas were shimmed with scrap wood, and the surface was sanded and painted.

The floor was intentionally simple, low to the ground, and practical. It had to support a full reception dance floor without feeling temporary or unsafe. It performed well through the night and became one of the main pieces that made the farm feel like a real venue rather than just an outdoor gathering.

Guest experience and personal details

The event also included custom-built photo and hangout areas. One was called “Grandma’s,” built around an old floral farm couch, a rug, wooden accents, an old phone, and a large hanging macrame plant holder made by my grandfather. It was partly a tribute to family and partly a quiet place for guests to step away from the busy party. It became one of the most loved and photographed areas of the wedding.

A second installation was built in an alder grove with hanging mirrors, a vanity, and lights. It created a surreal forest photo area that felt personal, handmade, and unique.

The bouquet was launched from a homemade catapult my friends and I built during the bachelor party, using materials we had on hand. It included a safety release pin and worked perfectly on the day.

Planning and coordination

I set up Trello as our planning hub for tasks, deadlines, rentals, materials, volunteer roles, budget, guest logistics, setup schedule, and day-of details. The board helped turn a large, informal family project into something trackable and executable.

The biggest challenge was the number of interacting pieces: weather, parking, camping, washrooms, power, water, food, rentals, music, guest movement, volunteer coordination, setup, teardown, and the fact that the site was not designed to be a venue.

Got hitched without a hitch

Several guests said it was the best wedding they had ever attended, which was nice to hear, but the more useful proof was that the temporary venue actually worked. People arrived, parked, found their way around, ate, danced, camped, used the washrooms, gathered in the custom spaces, and experienced the farm as if it had been designed for that day.

For me, the project is a good example of how I like to work when the answer does not already exist. I understand the site, imagine the use, build the missing systems, coordinate the people, and leave enough personality in the result that it feels intentionally made.